摘要
20世纪末的中国"现代书法运动"是一场借"现代"与"书法"之名,行"非书法"、"后现代"之实的少数人的艺术运动,其最终的衰落是因为其具有脱离书法本体的致命弱点。
It is inevitable of the decline of the Modem Calligraphy Development of China in the late 20th century because it had been divorced far away from noumenon of the Chinese calligraphy.
出处
《宜宾学院学报》
2008年第5期108-109,共2页
Journal of Yibin University
