摘要
学界普遍认为扎塘寺壁画为波罗——中亚风格,但其中也有较典型的波罗风格。通过和福特藏《绿度母》唐卡从图像学上进行比较分析,发现扎塘寺壁画中波罗风格绿度母图像与11世纪在卫藏传教的印度高僧阿底峡有直接联系,应是源于以印度波罗图像为范本的作品。
It is generally considered that the style of the wall painting of Drathang monastery is the style of the Polo - Central Asia, but there is also the typical Polo style. Compared with Ford＇s Tara thangka in iconography, Tara of the Polo style in Drathang should have direct relation with the mission of the Atisha at central Tibet in the eleventh century and the Tara thangka should be the works following the model of the Indian Polo images.
出处
《西藏研究》
CSSCI
2008年第4期42-47,共6页
Tibetan Studies
