摘要
《私人生活》《上海宝贝》和《万物花开》三部女性小说分别以"房间""酒吧"和"乡野"作为个性化的场景设置,显示出20世纪90代以来中国女性文学从策略性地凸显女性自我体验到开放性地展现男女两性交流的重大转变。
The unique scene in Personal Life, Shanghai Baby and All in Full Bloom show the differences in writers＂ beliefs. From ＂room＂ to ＂bar＂ to ＂countryside＂, the three novels unfold in a progressive manner, illustrating the dramatic change since 1990 in feminine literature from self experience of female to open communication between men and women.
出处
《合肥工业大学学报（社会科学版）》
2008年第4期101-104,共4页
Journal of Hefei University of Technology(Social Sciences)
