摘要
分析了当代景德镇出现的"超写实性捏雕陶艺"与西方的"超写实性陶艺"之间的异同,指出两者之间相同在高度写实,但前者是在写实的基础上追求田园诗与美,追求自然抒情的情感,后者则完全客观复制,摒弃作者的任何主观情感,美与诗也随之缺失,呈现的是西方后现代的"虚无"情绪。文章充分肯定了张氏超现实主义陶艺对中国陶艺的巨大贡献。
This paper analyzed the similarities and differences between the emerging contemporary Jingdezhen ＂Super-realism of porcelain pinching sculpture＂ and the West＇ s ＂super-realism of ceramics＂ , the same keeps on the highly realistic, but Zhang＇ s style bases on the pursuing pastoral poetry and beauty／natural lyric emotion; the latter is whole objectively replicating, renouning the artists＇ subjective feelings, the beauty and poetry also will be missing, the We,stem post-modern ＂empty＂ mood be appeared. The article fully affirmed Zhang Yuxian＇ s ceramic surrealism of the great contribution to China＇ s ceramic art.
出处
《中国陶瓷》
CAS
CSCD
北大核心
2008年第4期63-64,65,66,共4页
China Ceramics
关键词
超写实性
张氏超现实主义
陶艺
Super reality, Zhang＇ s surrealism, Ceramic arts
