摘要
由于计算机音乐作为新兴学科的独特性,从源语言(英语等)的术语向目标语言(汉语等)的术语转换与构建,必然借助二度创造性的工作才可能完成。有些术语是将一般词汇赋予了本学科新的、特殊的技术内涵从而形成事实上的新词(例如instrument),它们突破了原术语的通行含义与规定性质,若采用旧译,势必因误导而引起混淆,这时就有必要创造一个新词。在理想情况下,新词应尽可能将对原词的音译和意译加以结合,甚至兼顾汉字的象形美。另一些术语是由一般科技术语组合而成(例如wave-terrain),构成了新的词义,且再与其他词缀成本专业词组,为求表达简洁,有必要对组合词按内涵意译。从翻译学的角度,可以将谐音兼附会涵义的方法作为一个概念提出。
On account of the uniqueness of the subject of computer music, re-creation is necessary in the transformation from original terms in the source language （English etc. ） to terms in the object language （Chinese etc. ）. Some words become new terms through adding new special or technological meaning of computer music to common words. ＇ Instrument ＇ , for example, breaks through the＇ original common meaning. Translated in the original way, this will cause confusion. Then it will be necessary to create a new word. In a perfect situation, the new word should consider the pronunciation and meaning of the original word, and even the hieroglyphic beauty of the Chinese character. Other terms come from the combination of some common scientific and technological terms （e. g. wave-terrain）. When used with other words, these compound words often appear not to be terse enough. Therefore, these new terms should be translated according to their connotation. A concept of ＂connotation-transliteration＂, which strains the interpretation according to the pronunciation of the term, was proposed from the point of view of translation studies.
出处
《中央音乐学院学报》
CSSCI
北大核心
2008年第1期128-136,共9页
Journal of The Central Conservatory of Music
关键词
计算机音乐
术语学
电子音乐
排秩
音础
波貌
起衰延消
畸变合成
computer music, terminology, electronic music, patch, instrument, wave-terrain, ADSR,distortion synthesis
