摘要
基于中日传统文化之间的渊源关系,对庄子的理论和川端康成对传统的承继作了类比分析。通过对川端作品《雪国》的多重阐释,挖掘出作品所蕴含的庄子的人生与自然的哲学理念,也从侧面更好的透视了作者的人生观、世界观及价值趋向。主要从四方面进行解析:一、传统文化的回归;二、"余情"与"寓言式"笔法;三、"无用之用"与岛村的虚无;四、回归自然之美。
On the basis of long -term relationships between Chinese and Japanese traditional culture, this article made an analogical analysis on Zhuangzi and Kawabata Yasunari＇ s theory about the following to the tradition. Through multiple explanations for Kawabata Yasunari＇ s work Snow Country, it excavated further into Zhuangzi＇ s philosophical notions, which the work contains, about life and nature. In addition, it was also a better observation for author＇ s view of life and world, as well as the tendency for value. This article carried out the analysis mainly from four aspects： First is the return of traditional culture, the second is ＂odd sentiment＂ and ＂fable type＂ writing techniques, the third is the ＂useless using＂ and Daocun＇ s nihility and the last is the beauty of returning nature. This analysis from four different aspects, not only enriched the implication of the work, but also deepened Zhuangzi＇ s philosophy and aesthetics.
出处
《红河学院学报》
2008年第1期60-64,共5页
Journal of Honghe University
关键词
庄子
《雪国》
余情
虚无
回归自然
Zhuangzi
Snow Country
odd sentiment
nihility
returning nature
