摘要
《海达.高布乐》(HeddaGabler)是易卜生作品中争议较多的一部剧作。这部剧本发表并上演至今已有一百多年,人们关于海达是怎样一个女人和她为什么自杀的争论从来就没有停止过。从现代女性主义的视角去重读该剧以及易卜生的注释,海达的形象给人以新的启示。海达是一个充满了诗性气质的女人,对生命意义的诗性追求是她的心灵之光。海达的死并不是命运的安排,也不是她本身的缺陷所致,而是她的诗性人生追求促使她选择以死的方式去实现人性的自由。
Hedda Gabler is one of Ibsen＇s most controversial plays. Since its publication in 1890, critics have never stopped arguing about what kind of woman Hedda is and why she kills herself. Rereading the play and the notes by Ibsen himself from the modem feminist perspective, we have got some new insights. Hedda is truly a poetic woman in pursuit of the meaning of life, which is the light hidden in Hedda. Her death is not arranged by fate or caused by her own tragic flaw. She chooses to die in order to realize her pursuit of a poetic life.
出处
《国外文学》
CSSCI
北大核心
2008年第1期109-114,共6页
Foreign Literatures
关键词
海达
诗性
悲剧
Hedda, poetry, tragedy
