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传统“破晓歌”的玄学诠释——评英国玄学派诗人多恩的《早安》 被引量:1

The Metaphysical Interpretation of the Traditional Aubades:A Study in John Donne's Metaphysical Poem "The Good-Morrow"
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摘要 约翰.多恩的代表诗作《早安》既是对"破晓歌"的继承和开拓,同时也是对这一文学形式所作的玄学诠释。诗中"巧智"、"奇喻"等典型玄学派艺术技巧的运用,不仅丰富了传统"破晓歌"这一文学形式的艺术魅力,同时也为我们探索17世纪英国玄学派诗歌独特的宇宙观及其自然哲学思想提供了重要的参照。 John Donne's The Good-Morrow inherited and developed thetraditional literary form of Aubades by giving it a metaphysical interpretation. The typical metaphysical techniques used in this poem, such as "wit" and "conceit", not only enrich the artistic charms of this traditional form, but also provide an important reference for us to understand the unique natural philosophy of the 17^th century English metaphysical poetry.
作者 吴笛
出处 《国外文学》 CSSCI 北大核心 2008年第1期79-82,共4页 Foreign Literatures
基金 国家社科基金项目"英国玄学派诗歌研究"(课题编号06BWW020)阶段性成果之一
关键词 “破晓歌” 玄学派 巧智 奇喻 宇宙观 aubades, metaphysical school, wit, conceit, point of view
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  • 1David Reid, The Metaphysical Poets (Essex: Pearson Education Ltd, 2000), p. 3.
  • 2John Donne, Poems of John Donne (London: Lawrence & Bullen, 1896), Vol. Ⅰ, p. 22.
  • 3飞白.《诗海-世界诗歌史纲》,漓江出版社1990年版.217页.
  • 4Anthony Thwaite, Six Centuries of Verse (London: Methuen London Ltd., 1984), p. 58.
  • 5Claude J. Summers and Ted. Larry Pebworth, The Wit of Seventeenth-Century Poetry (Columbia: University of Missouri Press, 1995), p. 1.
  • 6飞白主编.《世界诗库》,花城出版社1994年版,第2卷,152页.
  • 7Thomas N. Corns ed., The Cambridge Companion to English Poetry, Donne to Marvell (Cambridge: Cambridge University Press, 1998), p. 135, 129.
  • 8M. L. Rosenthal, The Modern Poets: A Critical Introduction (Beijing: Foreign Language Teaching and Research Press, 2004), p. 88.

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