摘要
作为理解神话语言的关键之一,变形这一神话现象有待更深入的阐释。黑格尔在《美学》中将神话变形现象的寓意定性为"精神界事物的堕落和所受的惩罚",表明其逻各斯中心主义的立场。在对变形神话的评价上,卡西尔与赫伊津哈用各自方式进行解析,前者的利器是"情感",后者引入"游戏"说,或许可以视作黑格尔对变形的解魅式批判后之价值重估。
As a certain phenomenon in the language of myth, metamorphosis needs a deeper interpretation. Hegel＇s viewpoint on metamorphosis in his Aesthetics demonstrates that he took logos-eentralism as his stand. Then the two theorists, Ernst Cassirer using ＂passion＂ and Johan Huizinga introducing ＂play＂, tended to estimate the meaning of metamorphosis, and perhaps their efforts could be regarded as a re-estlmate after metamorphosis was devalued by Hegel.
出处
《复旦学报（社会科学版）》
CSSCI
北大核心
2008年第1期135-140,共6页
Fudan Journal（Social Sciences）
关键词
神话
变形
情感
游戏
黑格尔
卡西尔
myth
metamorphosis
emotion
play
Hegel
Ernst Cassirer
