摘要
韵是黄庭坚书论的核心思想。主要表现在三个方面:以韵通论书画诗文;将"怒"、"渴"之美纳入韵的审美体系;把人品、学养视为"韵胜"的重要审美标准。黄庭坚对韵的极力标举,不仅拓展了韵的审美内涵,提升了书法的审美意境,突显了书法的生命意识,而且体现了黄庭坚对艺术境界和人生境界相统一的审美追求。
The rhyme is the main idea in books com- mented by Huang Tingjian. It mainly shows three aspects: Commenting on paintings and prose by rhyme. The beauty of 'anger' and 'thirsty' will be brought into the esthetic system of rhyme. The personal qualities, study and tutelage can be regarded as an important esthetic standard of rhyme. Huang Tingjian’s extreme indication to the rhyme not only has developed the esthetic connotation, has promoted the calligraphy’s esthetic ideal condition to reveal life consciousness, but also has manifested HuangTingjian’s unification of the esthetic pursue including artistic and life.
出处
《南京艺术学院学报（美术与设计）》
北大核心
2008年第1期75-78,共4页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
黄庭坚
书论
韵
Huang Tingjian, commenting on books, rhyme
