摘要
镇江多景楼,自宋以来虽迭经兴废,但始终是文人士子登临游赏的名胜之地。两宋时期,多景楼登临诗词呈现出三个阶段的变化:(1)北宋时期,登临主体是一群文人雅士,登临性质属于旅游,主要抒写游赏娱乐之情,体现的是"乐感"意识;(2)宋室南渡至南宋中后期,登临主体是一群忧国志士,登临性质属于壮游,主要抒写慷慨激越的复国之志,体现的是"忧患"意识;(3)宋末元初,登临主体是一群遗民隐士,登临性质可称之为神游,主要抒写黍离之悲,体现的是"悲感"意识。两宋时期多景楼登临诗词的历时态嬗变,展现出两宋不同时代的社会风貌与文人士子的心路历程,具有独特的认识意义和审美价值。
The poems written after ascending high buildings in the Song Dynasty reflect three periods of changes.The first is in the Northern Song Dynasty,during which the authors were a group of gentlemen whose poems mainly described their tours and joys;the second is from the moving of the Northern Song to the middle and late Southern Song,during which the authors were a group of men of ideals and integrity whose poems mainly described their vehement aspirations and worries for recovering the lost nation lands;the third is in the last period of the Southern Song Dynasty and the beginning of the Yuan Dynasty,during which the authors were a group of hermits whose poems mainly described their sorrows of the subjugated nation.
出处
《东南大学学报（哲学社会科学版）》
CSSCI
2007年第6期112-115,共4页
Journal of Southeast University(Philosophy and Social Science)
