摘要
侗族戏剧出现在侗族男性话语确立的年代,女性与女性角色就应处在第二者或第二性的行列,而风行于西南地区的侗戏却流淌着一股浓浓的女性气息,即女性话语的高扬和男权话语的低调,更有甚者是男性角色和话语的严重缺席。从侗戏产生的背景、侗戏中女性话语的高扬以及侗戏女性人物特征三个方面阐述侗戏的女性角色。
The Dong minority play appears in the age when the male power has been established.Thus the female and the female character fall naturally the second or the second rank.But as a fashion in southwest Dong minority areas,Dong play still flows thick feminine breath,which is the raising of feminine words with the low-key male power words.What is more is the latter＇s serious absence.From the background,the raising of feminine discourse in Dong drama,as well as the feminine characteristics in Dong play these three aspects,this article elaborates the female role in Dong play.
出处
《怀化学院学报》
2007年第7期67-69,共3页
Journal of Huaihua University
