摘要
宋代美学思想的发展和整个宋代社会发展、经济发展、思想发展、学术发展紧密相关,呈现出四个显著特点:美学主体意识的突出、形成了较为完备的美学理论体系、美学讨论的重心由本体论转向了认识论、美学的审美价值由"用"发展为"玩"。这四个特点使得宋代社会中的各类艺术都突破了社会功用的藩篱,张扬出艺术家的个性。在这样一个时代精神的土壤中,宋代美学思想呈现出独特的风采。
The development of aesthetics in the Song Dynasty is related to the social development,economic development,ideological development and academic development of the time. The 4 obvious characteristics include： the prominence of Aesthetics consciousness, the forming of complete aesthetics, the discussion focus of aesthetics from ontology to epistemology,and the evaluation from ＂use＂ to ＂play＂. The 4 characteristics encouraged all the arts in the Song Dynasty to break the social limitation and developed the character of artists. In the special climate, the aesthetics in the Song Dynasty displayed its uniqne charm.
出处
《南昌大学学报（人文社会科学版）》
北大核心
2007年第5期110-114,共5页
Journal of Nanchang University(Humanities and Social Sciences)
基金
江西省社科规划课题"两宋美学研究"(编号:05ZX205)
关键词
宋代美学
主体意识
认识论
理论体系
审美价值
aesthetics in the Song Dynasty
subject consciousness
epistemology
theory system
aesthetic standards
