摘要
在香港电影研究中,香港的文化身份始终是一个备受关注的热点话题。一直以来,人们喜欢从中国大陆、香港本土和殖民英国构成的三角关系中探询香港的身份和前途问题。在讨论香港和大陆的关系时,后殖民理论曾是一种流行的理论视角。香港回归后的复苏与繁荣,已经彻底粉碎后殖民观察家对香港前途的悲观预测。本文根据"互文性"关系来探讨回归十年来香港电影和文化元素在"华语电影"这一文化场域中的呈现,旨在超越主体和主体权力关系的二元对立视角的局限,并对后殖民理论的有效性进行反思。
The cultural identity of Hong Kong remains a heated topic that attracts much attention in the studies of Hong Kong cinema. For a long time, Hong Kong’s identity and future has been examined in the triangular relationship between mainland, Hong Kong, and colonial Britain. Postcolonial theory was a prevalent theoretical perspective in the discussion of Hong Kong’s relationship to mainland. Hong Kong’s revival and prosperity has completely shattered the postcolonial observers’ pessimistic view of its future since its return. This article discusses the presentation of Hong Kong cinema and the cultural elements in the cultural field of 'Chinese films' during the 10 years after its return. Aiming to transcend the limitation of the binary oppositional perspective on subject/power relation of subjects, the paper offers a reconsideration of the validity of postcolonial theories.
出处
《文艺研究》
CSSCI
北大核心
2007年第11期14-23,共10页
Literature & Art Studies
