摘要
新疆米兰、龟兹等地的佛教壁画大量采用了带有光影立体感的凹凸画技法。这种绘画手法源自于印度犍陀罗佛教艺术手法,而犍陀罗艺术是受到古希腊和波斯等地的影响而呈现出希腊化的印度佛教艺术特征。西域地区的凹凸画技法流传到中原,对中原的绘画产生了深刻的影响,不仅产生了像张僧繇、尉迟乙僧、吴道子这样著名的画家,并且极大地促进了中国画的高度繁荣。
The use of the convex-concave method in the Gandhara style of Buddhist art that originated in India is most evident in the Buddhist frescos in Kucha, Miran and other areas of Xinjiang. Influenced by an- cient Greece and Persia, the Gandhara school of art was characterized by the marriage of Indian Buddhist art with classical Greek culture. The convex-concave method of Gandhara art found in the western region had such a great influence on the paintings in Central China that it not only appeared in the works of many famous painters like Zhangsengyao, Yuchiyiseng, Wudaozi,etc., but it inspired a flourish of Chinese paint- ings in this region.
出处
《南京艺术学院学报（美术与设计）》
北大核心
2007年第4期85-88,共4页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
西域凹凸画法
犍陀罗艺术
影响
the convex-concave method
Gandhara style of Buddhist art
Chinese paintings
influences
