摘要
本文依托第一手档案、文献及口述材料,对1955—1957年苏联专家马克西莫夫主持的中央美术学院油画训练班教学情况进行调查和研究。全文分4节。第1节主要描述油画训练班成立的基本背景,同时指出油画教育正规化"重建"的基本含义。第2节描述"请进来"的运作过程,并回答为什么是由马克西莫夫担任训练班导师、为什么不放手派出去这两个问题。第3节主要阐述训练班构成及其教学内容和影响,其中教学内容和影响是本文重点;教学内容主要依托档案、文献展开,教学影响主要依靠口述、文献呈现。第4节结语部分集中讨论苏联油画教学的引入对中国50年代油画教学的正负影响以及我们应该采取的历史态度。
Based on first-hand materials, files and oral accounts, this paper investigates and analyses Maksimov’s teaching of oil painting in The Central Institute of Fine Arts from 1955 to 1957. The paper is divided into four sections. Section one gives some background information of the oil painting class taught by Maksimov and meanwhile points out the significance of re-establishing normal education of oil painting. Section two describes the process of inviting Maksimov over to China and answers the question of why inviting foreign experts over to China instead of sending students abroad. Section three focuses on the contents of teaching and the influences of the class based on first-hand documents. And section four discusses mainly the introduction of Soviet teaching of oil painting into China, its positive and negative impacts, and the historical attitude that we should take.
出处
《文艺研究》
CSSCI
北大核心
2007年第10期107-122,共16页
Literature & Art Studies
