摘要
本文通过对京剧里的青衣行当与美声唱法里的女高音声部的比较研究,企图进一步明晰京剧唱法与美声唱法这两种唱法的演唱机理与规范,以求得对两种唱法中的某些概念认识得更加清楚,促进两者之间的沟通与吸收。这不仅可以为中国的美声界向中国戏曲、曲艺艺术学习做一些前期工作,也能协助京剧界用新的视角、新的方法、新的研究工具去总结京剧演唱艺术的丰硕成果,让世人都能懂得京剧艺术的博大精深之所在。
By comparing the singing style of qingyi in Peking opera and soprano in bel canto, this paper attempts to further clarify the mechanism of voice production and its norms in Peking opera and bel canto, so as to better understand some certain concepts in the two forms of singing and promote the mutual communication and interaction. The study aims to prepare Chinese bel canto singers to learn Chinese traditional opera and folk art forms, as well as to help Peking opera circle to summarize the great achievements in singing art from new perspectives and through new study approaches, exposing to the world the greatness and profundity of Peking opera.
出处
《浙江艺术职业学院学报》
2007年第3期41-50,共10页
Journal of Zhejiang Vocational Academy of Art
关键词
青衣
女高音
京剧
歌剧
美声
比较
qingyi
soprano
Peking opera
opera
bel canto
comparison
