摘要
德国-波西米亚钢琴家、作曲家和教师伊格纳兹·莫谢莱斯（Ignaz Moscheles，1794～1870）所作的《钢琴练习曲二十四首（Op．70）》全面练习了多种触键手法，声音从最纤巧细腻直到最浑然有力的一切变化，其中还有音阶、半音阶、和弦、琶音、多声部、装饰音、八度、双手均匀交替、双三度、复调等各种类型的手指专门练习。文章论述了莫谢莱斯《钢琴练习曲二十四首（Op．70）》中的多种触键方式及其特色。
Ignaz Moscheles （1794-1870） was a pianist as well as composer and teacher from Germany- Bohemia, and his 24 Piano Etudes, Op. 70 was a quite important music literature. The set of etudes help the pianist practise various touching ways, made the sound in different dynamic levels from softest to the powerfulist. It include different types of fingers traning such as scales, chromatic ones, chords, arpeggios, multi voices, octaves, alternate hands evenly, double thirds, and counterpoint too. The article discussed the various touching with their features in Moscheles＇ 24 Piano Etudes, Op. 70.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2007年第3期124-133,共10页
Huangzhong:Journal of Wuhan Conservatory of Music
