摘要
在关于"美"与"丑"的文艺理论中,"以丑为美"是一个重要的美学命题。在中国古代美学史上,苏轼第一次提出了完整的"审丑"理论。苏轼的"审丑"理论形成于求奇尚怪的宋代,建立在他个人人生际遇、哲学观、文艺观的基础之上。苏轼的"审丑"理论从艺术本体的角度对"丑"所蕴含的美学价值进行了全面的揭示,并对后世的文艺理论和创作产生了很大的影响,具有重要的认识论意义。
Among the literary and artistic theories on＂beauty＂and＂ugliness＂, an important aesthetics topic is to＂regard ugliness as beauty＂. Throughout the ancient history of Chinese aesthetics, Su Shi is the first one to advance the complete theory on＂aesthetics of ugliness＂, which is based on his personal experi- ence, philosophy, and literary viewpoint in Song Dynasty. Su Shi＇s＂aesthetics of ugliness＇fully reveals the aesthetic value hidden in＂ugliness＂, and has a great influence on the later literary and artistic theories and creations.
出处
《渤海大学学报（哲学社会科学版）》
2007年第4期52-58,共7页
Journal of Bohai University:Philosophy & Social Science Edition
关键词
苏轼
审丑
以丑为美
Su Shi
aesthetics of ugliness
regard ugliness as beauty
