摘要
刘勰《文心雕龙》文体论进行“囿别区分”的辨体讨论,针对“谬体”、“讹体”、“变体”、“失体”的蔽端提出“正体”的要求,从“六观”、“六义”、“四法”中把握“体性”、“体势”的内涵和实质,从而使其“辨体”说具有深远的文论及其批评学意义。
Liu Xie made a discussion on ＂distinguishing and differentiating＂ in the ＂Stylistics＂ of ＂Literary Carvings of Dragon＂. Aiming at the shortcomings of ＂ absurd styles＂,＂ erroneous styles＂,＂varied styles＂ and ＂lost styles＂, he put forward the requisition of ＂amending styles＂. From ＂six views＂,＂six senses＂and ＂four rules＂to grasp the meaning and substance of ＂style qualities＂and ＂style situations＂, his theory of ＂style distinctions＂ had far- reaching significance on literary theory as well as literary criticism.
出处
《广西师范学院学报（哲学社会科学版）》
2007年第2期145-152,共8页
Journal of Guangxi Teachers Education University：Philosophy and Social Sciences Edition
关键词
辨体
文体论
正体
文体批评
Style Distinction
Stylistics
Amending Styles
Style Criticism
