摘要
19世纪纳撒尼尔.霍桑的名著《红字》与20世纪考琳.麦卡洛的畅销小说《荆棘鸟》描写的都是"知其不可为而为之"的爱情,那欲爱而不得的爱情都是在荒野中产生的。荒野不仅是罪恶与危险的渊薮,也是爱欲的伊甸园,那里绽开着文明之花。受到宗教禁锢的主人公海丝特和梅吉在荒野中思索而奋起反抗,并由她们的女儿实现荒野中的梦想。她们的女儿珠儿和朱丝婷是两位作家在现实世界的荒野中的希望之光。
Nathaniel Hawthorn＇s classical novel The Scarlet Letter in the 19th century and Colleen McCullough＇s best-selling novel The Thorn Birds in the 20th century both display the love which but really happen in the wildness. Wildness is not only the source of evils and dangers, but also the Eden of sexual desire where the flowers of civilization bloom. Hester and Meggie think deeply in the wildness and rise to revolt against the religious barricade and realize their dreams by their daughters, Pearl and Justine, who are the hope of the two writers in the wildness of the realistic world.
出处
《唐山学院学报》
2007年第3期56-59,66,共5页
Journal of Tangshan University
关键词
红字
荆棘鸟
荒野
罪恶
爱欲
希望
The Scarlet Letter
The Thorn Bird
wildness
evil
sexual desire
hope
