摘要
敦煌石窟艺术,主要是指敦煌莫高窟建筑、彩塑、壁画三者结合的艺术。主体壁画,是敦煌艺术中最大量、最集中、最丰富、最精粹的部分。仅莫高窟一处,就拥有492个石窟的45000平方米的壁画,可谓东方艺术第一窟,世界艺术第一窟。 敦煌石窟艺术从十六国时期开始,迄于元代,绵历1600余年。它虽属佛教艺术,却远远超出了宗教教义的范围。
The Dunhuang Cave art refers chifly to a combined art of architecture, paited sculpture and frescoes in Megao Grottes.It is a crystallization of Chinese culture and a treasure house of Chinese civilization, which for all the Chinese both in China and at abroad. It is affecting as with its vividness, reality and rich imgination.It is a heritage of history, with Buddhism as its contents and art as its manifestation, picturing many things of Chinese Han and other minority nitionulities in Northwest China, such as history, geography, politics, economy, culture, art, folk custom, medicine, astronomy, etc.The Dunhuang Art is a dazzlingly brilliant pearl of Chinese culture.
The frescoes in Megao Grottes are made up of Budda portraits, pictures adapted from Buddhist stories, flying Apsaras, enshrined figures and decorative patterns, among which the frescoes adapted from Buddhist stories are imaginativer with much variation of Buddhist Scripture.Through Buddhist stories and pictures we can see the changes of various people's emotional factors in their production and other activities.
The emotional factors include joy, anger, melancholy, brooding, sorrow, fear and shock, which can cause diseases at sometincs, according to the theory of TCM.The author of this paper bilieves that the Dunhuang frescoes are not only the vivid, lively and interesting art works but also a very rare image medical information store, which includes a lot of the basic theory of TCM and TCP and clinical experience.To develop and study the TCM science in Dunhuang art is our TCM workers' duty and responsibility, for it will help us a lot and give much elicitation to the modern TCM science.
出处
《甘肃中医学院学报》
1990年第4期5-9,共5页
Journal of Gansu College of Traditional Chinese Medicine
