摘要
此稿着重分析了泰安北魏太和十八年金铜佛像在青州风格佛教造像形成过程中的位置和作用。之后,讨论了典型青州风格形成时期,广义青州西部、中部和东部地区的佛教造像,以及青州地区继续吸收外部因素,和青州风格对外部的影响情况。
This article have laid important emohasis on the number of Buddhist copper sculptures unearthed from Tai’an which is dated form the 10~th year of Taihe(494 A.D.) the Northern Wei Dynasty and made a comprehensive analysis to presentation the omportant of those Buddhist copper sculptures had plated in the process of creation activity of what so called the Qingzhou style in Chinese Buddhist art and its important function in form. And then this article go further on discussing other Buddhist sculoture which were dated the tyoical period of the formalistic Qingzhou style that were found in nearby area round the west, middle and east of Qingzhou, meanwhile tales some spcimen to proof that formalistic Qingzhou style had combined some exotic elements in rich the Buddhist image while at the same had spread the estensive influence of the Qingzhou style over outside of Qingzhou Aresa.
出处
《敦煌研究》
CSSCI
北大核心
2007年第2期6-13,118,119,120,共11页
Dunhuang Research
基金
清华大学人文社科振兴基金
编号:2005WKHQ002
