摘要
本文通过对佛经思想的检证,对照敦煌壁画,以辨析观无量寿经变与无量寿经变的区别,并以第220窟为中心,指出无量寿经变在壁画表现上的几个特征,包括菩萨入浴、讲堂、舞乐、诸天人所居的楼阁等,明确了无量寿经变的存在。
This article makes a positive identification of the different presentation features of the illustrations to the Amityur-buddha-sūtra and the Amityus-vyūha and ascertain by a careful comparative study of both Buddhist scriptures and the Dunhuang murals on the site. And by taking the wallpaintings inside Cave 220 as example, this article have demonstrated some of the specific scenes in representation of the illustrations to Amityus-vyūha such as the scene of Bodhisattva in bating; Buddhist lecture chaodl; dancers and musicians; heavenlypalace buildings and have taken a very close examination to testify the presentation form of illustrations to the Amityus-vyūha.
出处
《敦煌研究》
CSSCI
北大核心
2007年第2期1-5,117,118,共7页
Dunhuang Research
基金
教育部人文社会科学重点研究基地重大项目(01JAZJD730001)
