摘要
在张爱玲的小说世界里,母亲形象总是被赋予浓郁的阴性色调。《沉香屑第二炉香》里的蜜秋儿太太从女儿的婚姻悲剧中寻求心理补偿,《金锁记》更是把母亲的变态推向了极致。张爱玲对母亲形象的阴性书写自有其原因:独特的家庭背景播下了敌视父母的种子;家庭的熏陶和学校的教育,使她有机会接触中外文学中的负面母亲形象,《红楼梦》里的王夫人更使她在性格刻画上获得认同。张爱玲以尖刻的笔触刻画出另类母亲形象,极为深刻地揭示了人性幽暗处的真实与导致母性扭曲变态的多重原因,给人以震悚的审丑效应。
In Eileen Chang＇s novel world, the mother＇s image is always entrusted with deeply negative tone. In ＂Eaglewood scraps second stoves incenses＂, Mrs Miqiu seeks the psychology compensation from brother＇s daughter＇s marriage tragedy. In ＂Story of Jin Suo＂,mother＇s metamorphosis is revealed to the extreme. Eileen Chang＇s negative writing on mother image innate its reason： unusual family background has made her hostile to the parents; Family＇s gradual influence with school education enables her to have the opportunity to know the negative mother image in Chinese and foreign literature, Madam Wang in ＂The Tale of the Stone＂ causes her to acquire approval for the disposition portray. Eileen Chang portrays mother＇s image by the caustic brushwork, extremely profoundly promulgating the human dark nature and really the multiple reason for causing thematernal distortion metamorphosis, which is shocking and impresses people by the ugly aspects of the person.
出处
《湖北大学学报（哲学社会科学版）》
北大核心
2007年第3期37-42,共6页
Journal of Hubei University(Philosophy and Social Science)
关键词
张爱玲
母亲形象
阴性
书写
Eilecn Chang
mother image
negative
writing
