摘要
“第六代”电影中的同性恋影像颠覆了一直统治着中国大陆电影银幕的异性恋霸权,其所造就的别样的影像性感模式是对异性恋一枝独尊的影像性感模式的挑战,解构了男女两分的性别结构作为性快感生成本源的唯一性。这些电影同时展示并放大了爱与性的多向性和多义性,人的性关系也许应该终止于同性爱与异性爱的区别,而仅仅区分为快乐的爱和痛苦的爱。快乐或者痛苦永远取决于个体的自由选择,任何爱欲方式都是可尝试的快感的维度。
Homosexuality images in the ＂sixth - generation＂ films have subverted the heterosexual hegemony which have continuously dominated the films of China's Mainland, and the sexy model produced by the former is a challenge to the original exclusively cherished model, and has deconstructed the fontal uniqueness of the binary sexual structure. At the same time, these fdms demonstrate and magnify the multi- orientation and polysemia of love and sex, and, probably, human sexual relations should be put to an end in the distinction between homosexuality and heterosexuality, for both can only fall into happy love or painful love. To be happy or pain depends on individual free choice, and any love mode can all be a pleasure dimension to probe into.
出处
《山东师范大学学报（人文社会科学版）》
北大核心
2007年第1期77-81,共5页
Journal of Shandong Normal University(Humanities and Social Sciences)
关键词
“第六代”电影
同性恋
异性恋
权力
酷儿
the ＂sixth- generation＂ films
homosexuality
heterosexuality
power
queer theory
