摘要
明清时代随着新经济成分的出现,儒学出现了新的转向,商人社会地位逐渐提高,士商互动现象十分明显,蒲松龄在《聊斋志异》中反映了这一现实。但是,由于蒲松龄处于新旧儒学的接榫时代,不可能摆脱延续两千余年旧儒学思想对他的控制。《黄英》中士与商的升降分合深刻地折射了作者的这一创作心理。
With new economic elements arising in the Ming and the Qing Dynasties, there emerged a new psychological inclination among the learned class and the social status of merchants picked up imporatnce gradually. There were more interactions between scholars and merchants, which are reflected in Fantastic Stories in Liaozhai （Liaozahi Zhiyi） by PU Songling. However, being at the transition period between old and new Confucianism, PU Songling could by no means break the shackles. The mentality is mirrored in the depictions of ups and downs of the scholars and merchants in HUANG Ying.
出处
《宁波大学学报（人文科学版）》
2007年第1期39-42,48,共5页
Journal of Ningbo University：Liberal Arts Edition
关键词
士
商
儒学
创作心理
scholar
merchant
Confucianism
writer mentality
