摘要
老舍作为现代京派市民小说的创始者,苏青作为海派市民小说的承继者,两位市民小说大家的创作既有相近之处,又内蕴着各自不同的社会理想和艺术追求。同样根植城市文明,前者站在批判反思立场,后者持热切欢迎态度;同样可以看成启蒙文本,前者钟情于家族没落与历史感的营造,内隐的是社会救赎理想;后者执著于个性解放和爱欲自由,关注的是个人救赎可能;同样书写市民人生,前者呈现的是男性视野中的被动生存图景,后者表现的是女性世界里的自觉生存境遇。
There is difference in social and artistic pursuit as well as similarity in writing between lao she and Su Qing who axe initiators of Beijing and Shanghai Styles of urban inhabitant novels respectively. The former takes the stand of critical reflection, with focus on dan declining and historical construction, and passive life from males＇ viewpoints, while the latter takes the ground of welcome attitude, stressing personal and love freedom, and self- conscious life struggle from females＇ perspective.
出处
《东北师大学报（哲学社会科学版）》
CSSCI
北大核心
2007年第1期92-99,共8页
Journal of Northeast Normal University(Philosophy and Social Science Edition)
