摘要
中国歌唱艺术的民族唱法有广义和狭义之分,本文只是从狭义的角度去研究民族唱法从传统的唱法到“中国唱法”这一演变过程。20世纪上半叶及其之前的这一时期,是“传统民族唱法”的代表时期。随着时代的发展,“传统民族唱法”已不能适应人民的艺术心理需要,中国的声乐开始演变到“土唱法”这种表现形式。当“土唱法”不能适应人民的艺术心理需要时,“学院派唱法”又站到了时代的前沿。到了20世纪末,“中国唱法”诞生,中国的声乐艺术便形成了自己的独立体系,走向了世界的大舞台。
the concepts of the racial singing method of China can classified into two. One is defined from the broad sense; the other from the narrow sense. Here we just study the racial singing method＇ s develolanent from the traditional singing method of China to ＂Chinese singing method＂ by the narrow sense. The time hefore 20th century and the former half of 20th century is a representative time d the ＂tradition racial singing method＂. As times goes by, the ＂tradition racial singing method＂ had couldn＇ t satisfy people＇ s article requimments, so the＋ ＂indigenous sinsing method＂ besan making a good progress. But when the ＂ indigenous singing method＂ had also couldn＇t satisfy people＇ s article requirements, the ＂academism singing method＂ began to stand in the front of the times. In the later d the 20th century, the ＂Chinese singing method＂ was finally born. From then on, our Chinese sinsing art began to establish its own system, and developed on the whole world stage.
出处
《兵团教育学院学报》
2006年第6期25-28,共4页
Journal of Bingtuan Education Institute
关键词
民族唱法
土唱法
学院派唱法
中国唱法
演变
Racial singing method
Indigenous singing method
Academism singing method
Chinese singing method
Development
