摘要
“第五代”的命名具有新历史主义特征,在整合中国电影文化地形图的同时完成了“第六代”导演命名的修辞预设。第五代电影的空间美学激生出第六代的创作冲动,却反向促使后者有意淡化线性历史的叙事惯性。第六代电影的“小众”化特色遭到市场冷遇,引发了第六代导演创作转型后产业应对策略的思考。
The name of the fifth generation is characteristic of new historical school, which, in integrating the cultural map of Chinese films, predetermines the name of the ＂sixth generation＂directors. Although the space aesthetics of the fifth generation of films expedites the creative impulse of the sixth generation, it backwardly weakens the latter＇s narrative inertia of linear history. And the fact that the sixth generation of films characteristic of the ＂less popularity＂ suffer cold receptions gives a rise to thinking on industrial strategies after the creative transformation of the ＂sixth generation＂ directors.
出处
《上海大学学报（社会科学版）》
CSSCI
北大核心
2006年第6期19-23,共5页
Journal of Shanghai University(Social Sciences Edition)
关键词
第五代
第六代
美学影响
产业策略
fifth generation
sixth generation
aesthetic influence
industrial strategy
