摘要
感官文学是一种身体叙事学。在新时期,一个很有趣的文学现象是,感官文学是借助革命文学而“发掘”出的,是革命文学的另一种激活方式。新时期的革命文学不但没有淡出文坛,反而通过对革命文学成规的成功改写与增补,出现了多样化的叙述形态。其中,张贤亮对革命文学就以更为激进的改写、戏仿,将革命文学引向感官化、市场化、畅销化的境地,从而促使了建国后感官文学的生成。但是,张贤亮式的感官文学却将性置于中心地位,是有性无爱的身体叙事学,它否定了传统的建立在人性、人道主义基础上的文学的爱的母题,其负面效应是我们要认真加以清理的。
Sensuous literature is a body narratology. A very interesting literary phenomenon in the new period is that sensuous literature, ＂initiated＂ by revolutionary literature, is another activator for revolutionary literature. As such, revolutionary of the new period has been endowed with diverse successful rewriting and supplement of rules in revolutionary literature instead of rena. More strikingly, Zhang Xian-liang managed modes of narration through fading out of the literary ato make revolutionary literature more sensuous, more marketable and more popular by means of a more radical rewriting and parody of revolutionary literature, thus having facilitated the formation of sensuous literature in new China. However, Zhang＇s sensuous literature, with sex at the core, is a body narratology of loveless sex and is a negation of the literary motif of love built upon humanity and humanism. Therefore, the negative impact of such a literature should be conscientiously sorted out.
关键词
感官文学
革命文学
改写
戏仿
张贤亮
性
政治
sensuous literature
revolutionary literature
rewrite
parody
Zhang Xian-liang
sex
politics
