摘要
“注视”是让.斯塔罗宾斯基提出的文学批评术语,是他对文学批评的隐喻式描述。批评主体与作家的创造意识虽不能融为一体,“注视”却要求批评家全身心地投入作品中,对作品进行批评式阅读;长久的“注视”会把人的视线引入神秘的领域。在莎评中,济慈热情地“注视”文本并在“注视”中寻找创造的灵感和契机,并将“注视”的焦点对准“神秘”。
＂Gazing at＂ is a literary criticism term raised by Jean Starobinski, which is a metaphorical description of literary criticism. The subject of criticism can not be fully dissolvecl into author＇s creation conciousness, but ＂gazing at ＂requires critics to set their whole mind and heart on the works and read works critically. Long - time gazing at can lead a person to the area of mystery. In Shakespeare criticism, Keats enthusiastically ＂gazes at＂ text and seeks inspiration and opportunity for creation in the act and focuses his attention on mystery in his criticism.
出处
《东北师大学报（哲学社会科学版）》
CSSCI
北大核心
2006年第5期104-108,共5页
Journal of Northeast Normal University(Philosophy and Social Science Edition)
关键词
注视
济慈
莎评
gaze at
Keats
Shakespeare criticism
