期刊文献+

“山石”与“明月”——论贾平凹小说创作的道教选择

Taoism:Jia Pingwas Solution to His Novel Creations
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摘要 贾平凹一直都是新时期评论界争议极多的作家。然而其所受的传统文化影响特别是道教文化影响是不容质疑的。道教思想集中体现在他小说创作中是坚忍忘我的“山石”式写作姿态、女性崇拜与对清丽阴柔文风的推崇几个方面,这样的选择与其生活经历密不可分。但在贾平凹80年代的改革小说中,他对时下忧患的关注与他“出世”,“忘我”的道教思想产生了冲突,因此极富道教神秘色彩的民风民俗就成为他化解冲突的技巧。 Jia Pingwa is one of the most controversial writers in the literary criticism of new historical stage. But it is of no doubt that he is influenced by traditional Chinese culture, especially Taoism, which is concentrated in his distinguished writing style as unyielding rock on the hills and his high esteem for delicate simplicity and mildness. Such can be linked with the writer's own life experience. Nevertheless, in his novels with a theme on the reform, the 1980s saw a conflict between his concern about the current events and hisunselfishness and other-worldly thoughts of Taoism, and his solution is to turn skillfully to the unfathomable folkways and local traits.
作者 孙溧
出处 《柳州师专学报》 2006年第3期16-18,共3页 Journal of Liuzhou Teachers College
关键词 贾平凹 “山石” “明月” 道教 Jia Pingwa rock on the hills bright moon Taoism
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参考文献3

  • 1贾平凹自选集[M].漓江人民出版社,1992.
  • 2贾平凹文集[M].西安:陕西人民出版社,1999:220.
  • 3[美]露丝本尼迪克特.文化模式[M].北京:三联书店,1998:231,233.

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