摘要
张艺谋导演把《英雄》拍摄成为一个以秦朝为背景的武侠片,是东西方相遇语境下中国电影走向国际市场的典型选择。武侠片的规律是在长期的创作实践中探索出来的,是对观众反应的总结,在类型规范之下,观众面对一部武侠片有其期待视野。张艺谋作为一个长期从事艺术电影制作并具有一定先锋意识的导演,转型向类型化的商业电影制作,除了引入武打动作场面之外,基本破解了武侠片的叙事规范。面对《英雄》的争论,部分原因来自作品解构类型规范之后观者产生的失落感和认同失败,这是张艺谋的艺术个性与类型规范相遇之后的必然结局,也是张艺谋的作品为走向西方主导的国际市场所要付出的代价。
Zhang Yimou made a typical decision to have Qin dynasty as the background of his martial art film of Hero,especially so within the framework of East-West competition and globalization. The rule of making martial art movies takes a long-term practical exploration and audience responses. Following traditional format of the film type,audiences normally have certain expectations. While Zhang Yimou, with his long film production experiences and vanguard sensibilities,basically deconstructed the format and transformed it into a commercial film type,in spite of the fact he still used martial art fighting scenes. Among its criticism,much came as a result of audience's disappointment at their failure to recognize the revised format,which was quite expected when individual elements met tradition. It is the price Zhang Yimou had to pay on his westward march towards a global market.
出处
《北京电影学院学报》
CSSCI
北大核心
2006年第4期1-6,共6页
Journal of Beijing Film Academy
