摘要
扬雄的文体自觉意识对后人文体意识的进一步自觉乃至系统化意义深远。在内容上,他对辞赋从认识到创作整体上采取了始肯定后否定的态度,即由初期肯定强调辞赋的丽靡特质转向后期于文用兼顾中更加注重文学的功用。他的“文必丽靡”、否定“赋可以讽”的观点都对后人产生过深远而重大的影响。
The style consciousness of YANG Xiong can be realized from its contents and affect to the latter. Say from the contents, he emphasized the gorgeous characteristic of ode in the initial stages and paid attention to the function of ode in the last stages. Say from the influence, the viewpoint of ＂Article must be gorgeous＂ and the denial to ＂ode can reason＂ are profound and important to the latter. His style consciousness is more profound to promote the consciousness and systematization of the latte.
出处
《湖南城市学院学报》
2006年第4期36-39,共4页
Journal of Hunan City Univeristy
关键词
文必丽靡
文以致用
文体谬误
诗人之赋
辞人之赋
article must be gorgeous
article can be used to function
style-falsehood
poet-ode
ci-author ode
