摘要
张爱玲的小说创作以对生存悲剧的苍凉书写,传达了对个体生命的生存寂寞、生存痛苦、生存恐怖的深刻感悟和对生命悲剧性的理性认知,并由此标示出一种苍凉悲怆的审美风格。张爱玲的悲剧意识以人本主义为基本出发点,既与叔本华、尼采等人为代表的西方现代悲剧理论有一种内质的契合,同时又深受传统文化泽被和民族审美风格规约。
With bleak writing of hfe tragedy, Zhang Ailing＇ s novels convey a deep realization of rational cognition of hfe tragedy as well as individual hfe＇ s loneliness, suffering and fear. As a result, they show a kind of desolate and sorrowful aesthetic style. The fundamental starting point of Zhang Ailing＇ s tragic ideology hes in humanism, that is, there is an innate agreement with Western modem tragic theory represented by Schopenhauer, Nietzsche, etc. At the same time, this tragic ideology is deeply enriched by traditional Chinese cultural influences and regulated and restricted by China＇ s national aesthetic style.
出处
《山东师范大学学报（人文社会科学版）》
北大核心
2006年第2期42-46,共5页
Journal of Shandong Normal University(Humanities and Social Sciences)
关键词
张爱玲小说
生存悲剧
悲剧意识
传统文化
苍凉美
Zhang Ailing＇s novels
life tragedy
tragic ideology
traditional culture
bleak beauty
