摘要
丑艺术是艺术形式的色形声对形式美规律的背反,与反映对象的美丑善恶无关。优美艺术的形式符合形式美规律,丑艺术则全方位地破坏形式美规律。崇高艺术、悲剧艺术迫使丑随同美一道体现正义与进步,丑艺术则没有美与丑的对抗。滑稽艺术、怪诞艺术包含着优美与奇思妙想,能使人快乐自信,丑艺术扫荡了优美,只有平庸,只会带来痛苦和厌恶。丑艺术之所以大量出现,一是有些人迷信极丑必然极美,二是将反常态艺术的成功误认为是丑艺术的成功,三是它有吸引注意、扬名赢利的功能。
The art of ugliness,a betrayal of normal beauty, is irrelevant to the attributes of the reflected objects. The art of beauty is accordant with the rules of beauty, while the art of ugliness demolishes the rules of beauty from bottom. Sublimity and tragedy forces the ugliness to describe justice and progress, and ugliness does not oppose to the art of beauty. Ridiculousness and grotesque makes people happy and confident with its beauty and fantasy. The art of ugliness sweeps beauty. It only brings pain and detest with sole banality. The reasons for the emergence of ugliness are： firstly, it is believed that extreme ugliness must be extreme beauty; secondly, it is misunderstood that the success of abnormal art is just the success of ugliness; thirdly, ugliness has the function of attracting focus, making people famous and bringing them profit.
出处
《江西教育学院学报》
2006年第2期71-75,共5页
Journal of Jiangxi Institute of Education
关键词
丑
丑艺术
辨析
批判
ugliness
the art of ugliness
analysis
remark
