摘要
戴望舒是中国现代文学史上现代派诗人代表,其诗风与新月派诗人闻一多、徐志摩诗风迥然不同。戴氏诗风可分为三个时期,早期表现为沉哀,中期为寂寞,晚期为昂扬。其诗论和新月派代表性诗人闻一多的诗之“三美论”相反,主要宣扬诗的纯粹性,拒绝音乐、绘画入诗。
Dai Wangshu is a representative poet of the Modernist School in the history of the Chinese modern literature. His poetic style is completely different from that of Wen Yiduo and Xu Zhimo, the two excellent representatives of the Xinyue School. Dai Wangshu＇s poetical style experiences a process from the earlier sorrowfulness, to the later loneliness, and high- spiritedness at last. And opposite to Wen Yiduo＇s theory of ＂three beauties＂, Dai＇s poetical theory advocates the purity of poetry, which excludes the elements of music and painting.
出处
《安徽师范大学学报（社会科学版）》
2006年第3期305-309,共5页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
基金
安徽省教育厅人文社科研究项目(2002JW026)
关键词
沉哀
寂寞
昂扬
放逐
词藻
音韵
sorrow
lonely
high- spirited
banish
euphuistic language
rhyme and rhythm
