摘要
诗学发展到陈子龙所处的时代,无论是文学内部,还是当时的社会形势都发生了巨大的变化。陈子龙祖述六经,力返风雅,上绍七子,宗法汉唐,提出自己“情以独至为真,文以范古为美”的诗学主张。这种主张又往往与忠君爱国、事功济世、雅正崇古、忧时托志的精神交织在一起,引发他创作实践、审美心理的嬗变。
In the late Ming Dynasty, there was a tremendous change both in poetry and social circumstances. Chen Zi-long, a poet living in that period, put forward the supposition that the ancient poetic styles as well as the pursuit of elegance and the unique emotion should be the model for poetic creation. This notion is often times mingled with his patriotic complex, leading to the change of his literary creation and aesthetic psyche.
出处
《沈阳师范大学学报（社会科学版）》
2006年第3期111-115,共5页
Journal of Shenyang Normal University(Social Science Edition)
