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论中国电视批评的可持续发展 被引量:2

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作者 欧阳宏生
机构地区 四川大学
出处 《今传媒》 2006年第05X期12-15,共4页 Today's Mass Media
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  • 1Wollan, P. "The Auteur Theory" In Signs and Meaning i the Cinema (4th ed. ) . London: Secker & Warburg, 1972, P530 - 541.
  • 2Foucault, Michel. "Appendix: The Discourse on Language" in The Archaeology of Knowledge. New York: Harper Colophon Books, 1972.
  • 3Althusser, Louis. "Ideology and Ideological State Apparatuses" in Lenin an Philosophy and Other Essays translated by Ben Brewsteb. London: New Left Books, 1971, P123-173.
  • 4Barthes, Roland. Mythologies. New York: Hill & Wang, 1972.
  • 5Mulvey, Laura. "Visual Pleasure and Narrative Cinema" in Screen, vol. 16, no. 3, 1975, P6 - 18.
  • 6Said, Edward. Oriantalism. London. Routledge & Kegan Paul,1978.
  • 7Hall, S. "Encoding/Decoding" in S. Hall, D. Hobson, A. Lowe, & P. Willis (Eds) Culture, Media, Language. London: Hutchinson,1980, P128- 139.
  • 8Ang, lan. Watching Dallas. London: Methuan, 1985.
  • 9Liebes, T. and Katz, E. The Export of Meaning: Cross- Cultural Readings of Dablas. Oxford: Oxford University Press, 1991.
  • 10Fiske, John. Television Culture. London and New York: Routledge, 1987.

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