摘要
以母亲形象为切入点,通过阅读女作家的作品,截取五四时期与新时期这两个女性自我意识相对活跃的时期进行考察。研究发现,在中国产生真正意义上的女性文学的五四时期,女作家们尚能注重母亲这一社会角色并对其加以衡估,母子、母女之间即便有隔阂,相互之间的爱却不容置疑;延伸至上世纪末的文坛,母亲形象轰然倒塌,母性崇高的社会人格被消解、颠覆,母性人格第一次被庸俗化、丑恶化。同时,在分析研究的过程中,肯定每次演变的历史突破与成就,挖掘不可规避的局限性或是误区,期盼对母亲形象书写进行更为深入的探索。
The women literature in real sense started in the May 4 Movement Period in China, during which women writers could properly gauge the social roles of mothers so much so that love is out of question between mother and children despite any possible estrangement involved. But in the literary circle of the 20th Century, the image of mother collapsed and the lofty social character of mother was overturned and dissolved. And for the first time in history, the maternal quality was vulgarized and made hideous. This paper, while affirming the breakthroughs and achievements, taps the unavoidable limitations and misunderstandings and looks forwards to further probing into the characterization of mothers.
出处
《宁波大学学报（人文科学版）》
2006年第2期52-58,共7页
Journal of Ningbo University：Liberal Arts Edition
关键词
母亲
定位
理解
反动
mother
characterization
understanding
reactionary
