摘要
《卧虎藏龙》具有心理悲剧的特征。女主人公玉娇龙的性格是在八方受敌、四面出击的境遇下展现的,其中包括“善”与“善”的冲突。这一形象的深刻之处在于作者充分揭示了她内心的、性格的矛盾,在这个意义上,最大的“敌人”正是她自己。小说对玉娇龙的悲剧及其与生俱来、伴随终身的孤独感的渲染,得力于王度庐的审美追求与精神分析派美学的契合。以刘泰保为代表的“闾巷之侠”形象的生动性,则体现着作者的“平民主义”精神。根据小说原著改编的同名电影和从小说节选的《语文读本》教材也各有特色。
Wang Dulu＇s novel Crouching Tiger, Hidden Dragon is characterized by the psychological tragedy. The personality of the heroine Yu Jiaolong is demonstrated in the situation of facing various attacks from all sides involving the conflicts of the ＂good＂ and the ＂evil＂. This image is deep in her inner conflicts that the author successfully revealed in the novel. In this sense, the greatest enemy is the heroine herself. The exhibition of Yu Jiaolong＇s tragedy and her inherent, life-long loneliness owed much to the combination of Wang Dulu＇s aesthetic pursuit and psychoanalytic esthetics. A brief critique on the homonymous film and an extract from the original novel are also given in the paper.
出处
《西南师范大学学报（人文社会科学版）》
CSSCI
北大核心
2006年第3期61-68,共8页
Journal of Southwest China Normal University(Philosophy & Social Sciences Edition)
关键词
卧虎藏龙
王度庐
武侠小说
通俗文学
Crouching Tiger
Hidden Dragon
Wang Dulu
martial arts fiction
light literature
