摘要
西方人文地理学关于观念、行为和人文景观及其互育(cross-fertilization)关系的研究,为非物质文化遗产的研究和保护提供了一个新的视角和方法。皖南民间表演艺术的发生、发展是与皖南民间的信仰、行为和人文景观密切相关的,这种表演艺术实际上是民间宗教信仰、各种祭祀仪式和公共庆典活动展示过程中的一个组成部分,它对地理空间、场所的依存、与人文景观的互动和互育,形成了独具特色的艺术形式和风格,也透露出其与民间观念和信仰的内在联系。根据《保护非物质文化遗产公约》的基本精神,本文提出,应该把皖南民间表演艺术的保护和研究放到其发生的人文景观、仪式空间和生态环境中进行。
The studies of ideology, behavior and human landscape as well as their cross-fertilization in western human geography offer a new perspective and method for the study and protection of our non-material cultural heritage. The genesis and development of Wan-nan folk performance is closely connected with the folk belief, behavior and human landscape. The art of performance is in fact an integral part of folk religions, partaking in all kinds of sacrificial rituals and celebratory activities. It has formulated its unique form and style with its dependence on the geographical space and sites as well as its interaction and cross-fertilization with its human landscape, and therefore betrayed its internal link with folk ideology and belief. According to The Convention of Protection of Non-material Cultural Heritage, the protection and study of the art of Wan-nan folk performance should be put into its genetic context of human landscape, ritual space and ecological situation.
出处
《文艺研究》
CSSCI
北大核心
2006年第4期76-84,共9页
Literature & Art Studies
