摘要
严羽的“妙悟”说在中国美学史上起到了承前启后的重要作用。妙悟的实质乃是现代意义上的审美直觉。在妙悟中,审美主体运用具象、凭借直觉的穿透力,跨越理性的迷障,对审美对象进行直指本质的审美观照。妙悟内在地要求人与物的返朴归真,回归超越后的生命本真状态,使人与物在自由的审美观照中,实现由极致而冲淡的自由审美之境。
Yanyu＇s ＂MiaoWu＂ theory played a successively important part in Chinese aesthetics history. So - called ＂MiaoWu＂ muster modernish aesthetic intuition in general. Aesthetic intuition is transcending of aesthetic experience accumulated, which comprises rational factors. During the course of aesthetic intuition, aesthetic subject exploit ＂JuXiang＂and penetration of intuition to uncover the essence of aesthetic object. Aesthetic intuition demands innately that human and material return to nature and real life state after transcending. Then, human and material in a freedom state reach the natural life of beauty.
出处
《中州大学学报》
2006年第2期80-83,共4页
Journal of Zhongzhou University
关键词
妙悟
审美直觉
审美主体
审美对象
＂MiaoWu＂
aesthetic intuition
aesthetic subject
aesthetic object
