摘要
“天人合一”思想反映了中国传统哲学从整体把握宇宙万物,实现人与自然相通相和的精神境界,为古代中国人提供了一个具有普遍性和稳定性的思维模式,是一种成熟的宇宙意识和诗意的人生理想。顾恺之绘画理论和绘画实践的“以形写神”说是从“天人合一”的整体思维出发,将“形”与“神”的范畴加以综合,以人、自然、神灵三者的融合为表征,体合宇宙精神,达到“通天人之际”神人以合的精神境界,从而实现画家的理想人格。
The thought of ＂harmony of man with nature＂ reflects the Chinese traditional philosophical idea of grasping the universe as a whole so as to bring about a spiritual realm where man and nature are interlinked and interdependent, providing ancient Chinese with a mode of thinking which is of generality and stability; it is a kind of well-considered universe consciousness and a poetic ideal of life. The doctrine of ＂depicting Gods in human shape＂ in Gu Kaizhi＇s theory and practice about painting just start from the overall thinking of ＂harmony of man with nature＂, synthesizing the categories of ＂human shape＂ and ＂God＂ ,taking the combination of human being,the nature and the God as its superficial features , gathering the universe spirit to arrive at the spiritual realm of ＂harmony of man with God＂, so that the ideal personality of the painter can be realized.
出处
《山西高等学校社会科学学报》
2006年第2期51-53,共3页
Social Sciences Journal of Universities in Shanxi
关键词
天人合一
顾恺之
以形写神
神人以合
中国传统哲学
harmony of man with nature
Gu Kaizhi
to depict Gods in human shape
harmony of man with God
Chinese traditional philosophy
