摘要
1950年代出现的独幕话剧创作潮是继1920年代和1940年代之后中国独幕话剧创作的第三次高潮,论文论述了此次创作潮出现的原因、意义和缺陷,分析了创作潮中出现的主要作品的思想艺术成就,同时认为,作为一种创作潮流和文艺现象,它已成为中国话剧史上的“绝唱”,因而值得深思和研究。
It is pointed out in this paper that one-act drama writing in the 1950s was the climax after those of the 1920s and 1940s in Chinese drama hsitory. By analyzing the major works of that period and discussing the reasons, meanings and limitations of the writing, the author of this paper opines that the one-act drama writing in the 1950s was the peak of poetic perfection in Chinese drama history and was worthy of study as a trend of writing and a kind of literary phenomenon.
