摘要
调、调式和调性作为基本乐理中三个重要的基础概念,在国内众多教科书中的表述和指代却不尽相同,造成学生的不解甚至一知半解。本文通过分析、比较国内基本乐理教材,以及相关工具书中这三个概念和异同,并提出三个概念各自的侧重意义,以期促进三个概念定义的规范化。
There are basic conceptions important in the basic theory of music： tune, modes, and tonality, but they are meaning and enunciated quite different among various schoolbooks published in China, and it made the students had a smattering of knowledge or very confused. The writer compared and analyzed the domestic school texts of basic theory of music with reference books, proposed his idea about the meanings of those three conceptions, wished to standardize their definitions.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2006年第1期24-29,共6页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
调
调式
调性
概念
定义
基本乐理
tune, modes, tonality, conception, definition, basic theory of music
