摘要
历史文物的发展演变有其自身特有的规律,不能简单等同于历史分期。在研究、比较大量实物的基础上,根据辽代金银器的造型、纹饰题材、装饰手法、制作工艺及艺术风格的演变,重新对其分期作了界定,并在此基础上对辽代金银器的特征、造型艺术等作了新的探讨。辽代金银器的器形、纹饰和工艺,在吸收唐文化、西方文化、宋文化的基础上形成独特的风格,从第一期到第三期有演变发展过程。第一期的器形种类多,纹饰繁缛,工艺精湛;第二期的器形没有第一期的丰富,纹饰也变得简单,有新增工艺;第三期的器形比较单一,纹饰风格变化大,工艺得以完善。
Cultural relics have their own patterns of development in history, which are not completely determined by the ages when they are made. This paper discusses the periods of relics of gold and silver wares in the Liao Dynasty, based on the studies of objects in kind and the analysis of their shapes, ornamentation, decoration, crafts and artistic styles. It also makes a further study of their characteristics and plastic art. The artistic style of the wares in the dynasty was greatly influenced by the culture of Tang and Song Dynasty and the Western culture. The development of the wares can be classified into three periods. In the flint period the shapes are varied; the decoration is complicated; the crafts are exquisite. In the second period the shapes are not as varied as in the first; the decoration is simple; new crafts are used. In the third the shapes are unitary; styles are different; the crafts are more exquisite.
出处
《大连大学学报》
2006年第1期65-70,共6页
Journal of Dalian University
基金
辽宁省2005年哲学社会科学规划基金项目(L05CLS013)
关键词
辽代
金银器
文化特征
造型艺术
Liao Dynasty
gold and silver ware
cultural characteristic
plastic art
