摘要
现代艺术是一种包含否定性力量的艺术,它的自反性以它的对立面为前提。这种包含矛盾的整体性就是张力。必须通过范式理论,分析现代艺术的多重张力结构,考察它得以发生的内在和外在的机制。所谓现代艺术的自反性,源于社会的危机和对危机的反叛;它对主体内在性的强调,对现实与大众的疏离,人为缔造了破碎、荒凉的世界,有被现实重新整合的危险。
As a kind of negative art, modem art bases its self-reflection on the opposite. The binary oppositions induce its tension. Through an explanation of paradigm theory, the text aims at analyzing dimensions of structural tensions in modem art, and explaining the inner and outer institutions of modem art. Our conclusions are as follows ： the self-reflection of modern art comes from the crisis of society and rebellion against that; it stresses the subjectivity of work and the alienation between work and the mass, that result in a break and desolate world and have been in danger of re-combination.
出处
《徐州师范大学学报（哲学社会科学版）》
2006年第1期49-53,共5页
Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition)
关键词
现代艺术
张力
范式
自反性
modem art
tension
paradigm
self-reflection
