摘要
唐宋以降,弄孔侮圣优戏多有敷演,明清以后优戏弄孔则广涉多种重大社会问题。因其牵动诸多敏感神经,屡为官方挟制、禁绝。明清弄孔优戏的禁与演,是戏剧文化与社会政治渗透消长的一种缩影,反映出戏剧活动与时代文化对峙与渗透的关系,我们应还其戏剧史生成活态基因的历史定位。
The jester play teasing the sage ous great social problems after the Ming Confucius had performed since the tang and Qing Dynasties. It was banned by and Song Dynasties, and it involved varithe government over and over again because it concerned sensitive nerve of the society. Banning and performing of the jester play in Ming and Qing Dynasties is an indicator of the conflicts and joining between dramatic culture and social politics. We should recover the original position of jester play as an active element of the Chinese dramatic history.
出处
《西南师范大学学报（人文社会科学版）》
CSSCI
北大核心
2006年第1期176-179,共4页
Journal of Southwest China Normal University(Philosophy & Social Sciences Edition)
基金
华东师范大学2005年优秀博士生培养基金资助
关键词
优戏
弄孔子
正典禁戏
jester play
teasing Confucius
amending classics and banning the play
